Songs such as Three 6 Mafia's 1997 crunk anthem "Tear Da Club Up" invoke a level of crowd enjoyment which borders on violence and destruction, similar to the explosive combustion suggested by black artists in the mid-seventies who urged audiences to "tear the roof off the sucker" in a "Disco Inferno."85Parliament, "Give Up the Funk," 1976; Trammps, "Disco Inferno," 1976; see Sarig, Third Coast, 277 for a connection between crunk's destructive imagery and that of Texas bluesman Blind Willie Johnson. tippy('#footnote_plugin_tooltip_1518_1_85', content: jQuery('#footnote_plugin_tooltip_text_1518_1_85').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true ); However, crunk's exploration of rage and violence as enjoyment and release in the club context is particular, both in its language and its tone, which are much angrier than anything produced in the eras of soul, funk, or disco. In a departure from 1970s club culture, crunk lyrics often turn other imagined club goers into targets for rhetorical rage and imagined assaults.
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